"Fallout." "Dragon Age." "Prince of Persia." Behind these otherworldly games are intricate, otherwordly soundtracks. And behind those soundtracks is Emmy Award-winning composer is Inon Zur.
Today’s book lovers are hungry for stories of dark, dystopian futures. Novels like “1984,” “The Handmaid’s Tale” and “Parable of the Sower” are hard to keep in stock these days.
But what’s inspiring the next generation of dystopian narratives? We assemble a panel of authors to talk about how current events, national politics and international relations inspire their new works and appeal to an audience with an affinity for apocalyptic endings.
- Cory Doctorow Science fiction author, co-editor of the blog Boing Boing.
- N.K. Jemisin Bestselling author of the "Inheritance" series and the "Broken Earth" trilogy. She's won the Hugo Award for the past two years.
- Paolo Bacigalupi Bestselling author of more than a half-dozen books, including "The Wind-Up Girl" and "The Water Knife"
- Omar el Akkad Award-winning journalist and author of "American War"
An Excerpt Of "The Stone Sky" By N.K. Jemisin
me, when I was I
Time grows short, my love. Let’s end with the beginning of the world, shall we? Yes. We shall.
It’s strange, though. My memories are like insects fossilized in amber. They are rarely intact, these frozen, long-lost lives. Usually there’s just a leg, some wing-scales, a bit of lower thorax—a whole that can only be inferred from fragments, and everything blurred together through jagged, dirty cracks. When I narrow my gaze and squint into memory, I see faces and events that should hold meaning for me, and they do, but . . . they don’t. The person who witnessed these things firsthand is me, and yet not.
In those memories I was someone else, just as the Stillness was someworld else. Then, and now. You, and you.
Then. This land, then, was three lands—though these are in virtually the same position as what will someday be called the Stillness. Repeated Seasons will eventually create more ice at the poles, sinking the sea and making your “Arctics” and “Antarctics” larger and colder. Then, though—
—now, it feels of now as I recall myself of then, this is what I mean when I say that it is strange—
Now, in this time before the Stillness, the far north and south are decent farmland. What you think of as the Western Coastals is mostly wetland and rainforest; those will die out in the next millennium. Some of the Nomidlats doesn’t yet exist, and will be created by volcanic effusion over several thousand years of eruptive pulses. The land that becomes Palela, your hometown? Doesn’t exist. Not so much change, all things considered, but then now is nothing ago, tectonically speaking. When we say that “the world has ended,” remember—it is usually a lie. The planet is just fine.
What do we call this lost world, this now, if not the Stillness?
Let me tell you, first, of a city.
It is a city built wrong, by your standards. This city sprawls in a way that no modern comm would be permitted to do, since that would require too many miles of walls. And this city’s outermost sprawls have branched off along rivers and other lifelines to spawn additional cities, much in the manner of mold forking and stretching along the rich veins of a growth medium. Too close together, you would think. Too much overlap of territory; they are too connected, these sprawling cities and their snaking spawn, each unable to survive should it be cut off from the rest.
Sometimes they have distinct local nicknames, these child-cities, especially where they are large or old enough to have spawned child-cities of their own, but this is superficial. Your perception of their connectedness is correct: They have the same infrastructure, the same culture, the same hungers and fears. Each city is like the other cities. All of the cities are, effectively, one city. This world, in this now, is the city’s name: Syl Anagist.
Can you truly understand what a nation is capable of, child of the Stillness? The entirety of Old Sanze, once it finally stitches itself together from fragments of the hundred “civilizations” that live and die between now and then, will be nothing by comparison. Merely a collection of paranoid city-states and communes agreeing to share, sometimes, for survival’s sake. Ah, the Seasons will reduce the world to such miserly dreams.
Here, now, dreams have no limit. The people of Syl Anagist have mastered the forces of matter and its composition; they have shaped life itself to fit their whims; they have so explored the mysteries of the sky that they’ve grown bored with it and turned their attention back toward the ground beneath their feet. And Syl Anagist lives, oh how it lives, in bustling streets and ceaseless commerce and buildings that your mind would struggle to define as such. The buildings have walls of patterned cellulose that can barely be seen beneath leaves, moss, grasses, and clusters of fruit or tubers. Some rooftops fly banners that are actually immense, unfurled fungus flowers. The streets teem with things you might not recognize as vehicles, except in that they travel and convey. Some crawl on legs like massive arthropods. Some are little more than open platforms that glide on a cushion of resonant potential—ah, but you would not understand this. Let me say only that these vehicles float a few inches off the ground. No animals draw them. No steam or chemical fuels them. Should something, a pet or child perhaps, pass underneath, it will temporarily cease to exist, then resume on the other side, with no interruption of velocity or awareness. No one thinks of this as death.
There is one thing you would recognize here, standing up from the core of the city. It is the tallest, brightest thing for miles, and every rail and path connects to it in some way or another. It’s your old friend, the amethyst obelisk. It isn’t floating, not yet. It sits, not quite quiescent, in its socket. Now and again it pulses in a way that will be familiar to you from Allia. This is a healthier pulse than that was; the amethyst is not the damaged, dying garnet. Still, if the similarity makes you shiver, that’s not an unhealthy reaction.
All over the three lands, wherever there is a large-enough node of Syl Anagist, an obelisk sits at the center of each. They dot the face of the world, two hundred and fifty-six spiders in two hundred and fifty-six webs, feeding each city and being fed in turn.
Webs of life, if you want to think of them that way. Life, you see, is sacred in Syl Anagist.
Now imagine, surrounding the base of the amethyst, a hexagonal complex of buildings. Whatever you imagine will look nothing like the actuality, but just imagine something pretty and that will do. Look closer at this one here, along the southwestern rim of the obelisk—the one on a slanting hillock. There are no bars on the building’s crystal windows, but visualize a faint darker lacing of tissue over the clear material. Nematocysts, a popular method of securing windows against unwanted contact—although these exist only on the outward-facing surface of the windows, to keep intruders out. They sting, but do not kill. (Life is sacred in Syl Anagist.) Inside, there are no guards on the doors. Guards are inefficient in any case. The Fulcrum is not the first institution to have learned an eternal truth of humankind: No need for guards when you can convince people to collaborate in their own internment.
Here is a cell within the pretty prison.
It doesn’t look like one, I know. There’s a beautifully sculpted piece of furniture that you might call a couch, though it has no back and consists of several pieces arranged in clusters. The rest of the furniture is common stuff you would recognize; every society needs tables and chairs. The view through the window is of a garden, on the roof of one of the other buildings. At this time of day, the garden catches sunlight slanting through the great crystal, and the flowers growing in the garden have been bred and planted with this effect in mind. Purple light paints the paths and beds, and the flowers seem to glow faintly in reaction to the color. Some of these tiny white flower-lights wink out now and again, which makes the whole flower bed seem to sparkle like the night sky.
Here is a boy, staring through the window at the winking flowers.
He’s a young man, really. Superficially mature, in an ageless sort of way. Not so much stocky as compact in his design. His face is wide and cheeky, his mouth small. Everything about him is white: colorless skin, colorless hair, icewhite eyes, his elegantly draped clothing. Everything about the room is white: furniture, rugs, the floor under the rugs. The walls are bleached cellulose, and nothing grows on them. Only the window displays color. Within this sterile space, in the reflected purple light of the outside, only the boy is obviously alive.
Yes, the boy is me. I don’t truly remember his name, but I do remember that it had too many rusting letters. Let us therefore call him Houwha—the same sound, just padded with all manner of silent letters and hidden meanings. That’s close enough, and appropriately symbolic of—
Oh. I am angrier than I should be. Fascinating. Let’s change tracks, then, to something less fraught. Let us return to the now that will be, and a far different here.
Now is the now of the Stillness, through which the reverberations of the Rifting still echo. The here is not the Stillness, precisely, but a cavern just above the main lava chamber of a vast, ancient shield volcano. The volcano’s heart, if you prefer and have a sense of metaphor; if not, this is a deep, dark, barely stable vesicle amid rock that has not cooled much in the thousands of years since Father Earth first burped it up. Within this cavern I stand, partially fused with a hump of rock so that I may better watch for the minute perturbations or major deformations that presage a collapse. I don’t need to do this. There are few processes more unstoppable than the one I have set in motion here. Still, I understand what it is to be alone when you are confused and afraid and unsure of what will happen next.
You are not alone. You will never be, unless you so choose. I know what matters, here at the world’s end.
Ah, my love. An apocalypse is a relative thing, isn’t it? When the earth shatters, it is a disaster to the life that depends on it—but nothing much to Father Earth. When a man dies, it should be devastating to a girl who once called him Father, but this becomes as nothing when she has been called monster so many times that she finally embraces the label. When a slave rebels, it is nothing much to the people who read about it later. Just thin words on thinner paper worn finer by the friction of history. (“So you were slaves, so what?” they whisper. Like it’s nothing.) But to the people who live through a slave rebellion, both those who take their dominance for granted until it comes for them in the dark, and those who would see the world burn before enduring one moment longer in “their place”—
That is not a metaphor, Essun. Not hyperbole. I did watch the world burn. Say nothing to me of innocent bystanders, unearned suffering, heartless vengeance. When a comm builds atop a fault line, do you blame its walls when they inevitably crush the people inside? No; you blame whoever was stupid enough to think they could defy the laws of nature forever. Well, some worlds are built on a fault line of pain, held up by nightmares. Don’t lament when those worlds fall. Rage that they were built doomed in the first place.
So now I will tell you the way that world, Syl Anagist, ended. I will tell you how I ended it, or at least enough of it that it had to start over and rebuild itself from scratch.
I will tell you how I opened the Gate, and flung away the Moon, and smiled as I did it.
And I will tell you everything of how, later, as the quiet of death descended, I whispered:
And the Earth whispered back:
An Excerpt Of "American War" By Omar El Akkad
I was happy then.
The sun broke through a pilgrimage of clouds and cast its unblinking eye upon the Mississippi Sea.
The coastal waters were brown and still. The sea’s mouth opened wide over ruined marshland, and every year grew wider, the water picking away at the silt and sand and clay, until the old riverside plantations and plastics factories and marine railways became unstable. Before the buildings slid into the water for good, they were stripped of their usable parts by the delta’s last holdout residents. The water swallowed the land. To the southeast, the once-glorious city of New Orleans became a well within the walls of its levees. The baptismal rites of a new America.
A little girl, six years old, sat on the porch of her family’s home under a clapboard awning. She held a plastic container of honey, which was made in the shape of a bear. From the top of its head golden liquid slid out onto the cheap pine floorboard.
The girl poured the honey into the wood’s deep knots and watched the serpentine manner in which the liquid took to the contours of its new surroundings. This is her earliest memory, the moment she begins.
And this is how, in those moments when the bitterness subsides, I choose to remember her. A child.
I wish I had known her then, in those years when she was still unbroken.
“Sara Chestnut, what do you think you’re doing?” said the girl’s mother, standing behind her near the door of the shipping container in which the Chestnuts made their home. “What did I tell you about wasting what’s not yours to waste?”
“Did you work to buy that honey, hmm? No, I didn’t think you did. Go get your sister and get your butt to breakfast before your daddy leaves.”
“OK, Mama,” the girl said, handing back the half-empty container. She ducked past her mother, who patted dirt from the seat of her fleur-de-lis dress.
Her name was Sara T. Chestnut but she called herself Sarat. The latter was born of a misunderstanding at the schoolhouse earlier that year. The new kindergarten teacher accidentally read the girl’s middle initial as the last letter of her first name—Sarat. To the little girl’s ears, the new name had a bite to it. Sara ended with an impotent exhale, a fading ahh that disappeared into the air. Sarat snapped shut like a bear trap. A few months later, the school shut down, most of the teachers and students forced northward by the encroaching war. But the name stuck.
A hundred feet from the western riverbank, the Chestnuts lived in a corrugated steel container salvaged from a nearby shipyard. Wedges of steel plating anchored to cement blocks below the ground held the home in place. At the corners, a brown rust crept slowly outwards, incubated in ceaseless humidity.
A lattice of old-fashioned solar panels lined the entirety of the roof, save for one corner occupied by a rainwater tank. A tarp rested near the panels. When storms approached, the tarp was pulled over the roof with ropes tied to its ends and laced through hooks. By guiding the rainfall away from the panels to the tank and, when it overfilled, toward the land and river below, the family was able to collect drinking water and defend their home from rust and decay.
Sometimes, during winter storms, the family took shelter on the porch, where the awning sagged and leaked, but spared them the unbearable acoustics of the shipping container under heavy rain, which sounded like the bowl of a calypso drum.
In the summer, when their house felt like a steel kiln, the family spent much of their time outdoors. It was during this extended season, which burned from March through mid-December, that Sarat, her twin Dana, and her older brother Simon experienced their purest instances of childhood joy. Under the distant watch of their parents, the children would fill buckets of water from the river and use them to drench the clay embankment until it became a slide. Entire afternoons and evenings were spent this way: the children careening down the greased earth into the river and climbing back up with the aid of a knotted rope; squealing with delight on the way down, their backsides leaving deep grooves in the clay.
In a coop behind the house the family kept an emaciated clutch of chickens. They were loud and moved nervously, their feathers dirty and brown. When they were fed and the weather was not too hot, they produced eggs. In other times, if they were on the edge of revolt or death, they were preemptively slaughtered, their necks pinned down between the nails of a nearby stump.
The shipping container was segmented by standing clapboards. Benjamin and Martina Chestnut lived in the back of the home. Simon and the twins shared the middle third, living in a peace which grew more and more uneasy as Simon neared his ninth birthday and the girls their seventh.
In the final third of the home there was a small kitchen table of sand-colored plywood, smeared and notched from years of heavy use. Near the table a pine pantry and jelly cabinet held sweet potatoes, rice, bags of chips and sugar cereal, pecans, flour, and pebbles of grain milled from the sorghum fields that separated the Chestnuts from their nearest neighbor. In a compact fridge that burdened the solar panels, the family kept milk and butter and cans of old Coke.
By the front door, a statue from the days of Benjamin’s childhood kept vigil. It was the Virgin of Guadalupe, cast in ceramic, her hands pressed against each other, her head lowered in prayer. A beaded bouquet of yellow tickseed and white water lilies lay at her feet, alongside a melted, magnolia-scented candle. When the flowers died and hardened the children were sent out to the fields to find more.
Sarat skipped past the statue, looking for her sister. She found her in the back of the house, standing on her parents’ bed, inspecting with steel concentration her reflection in the oval vanity mirror. She had taken one of her mother’s house dresses, a simple sleeveless tunic whose violet color held despite countless washings. The little girl wore the top half of the dress, which covered the entirety of her frame; the rest of the garment slid limply off the bed and onto the floor. She had applied, far too generously, her mother’s cherry red lipstick—the jewel of the simple makeup set her mother owned but rarely used. Despite employing utmost delicacy, Dana could not keep within the lines of her small pink lips, and looked now as though she’d hastily eaten a strawberry pie.
“Come play with me,” Sarat said, confounded by what her twin was doing.
Dana turned to her sister, annoyed. “I’m busy,” she said.
“But I’m bored.”
“I’m being a lady!”
Dana returned to her mirror, trying to wipe some of the lipstick with the back of her hand.
“Mama says we have to go have breakfast with daddy now.”
“OK, oh-kay,” Dana said. “Not a moment peace in this house,” she added, misquoting a thing she’d heard her mother say on occasion.
Sarat was the second-born girl, five and a half minutes behind her sister. And although she’d been told by her parents that both she and Dana were made of the same flesh, Dana was her father’s girl, with his easygoing wit and sincere smile. Sarat was made of her mother: stubborn, hard, undaunted by calamity. They were twins but they were not alike. Sarat often heard her mother use the word tomboy to describe her. God gave me two children at once, she said, but only girl enough for one.
For a few minutes, after Dana had left, Sarat remained in her parents’ room. She observed with some confusion the thing her sister had smeared all over her lips. Unlike the river and the bush and the beasts and birds of the natural world, the lipstick did not interest her; it held no promise of adventure. She knew it only as a prop in her twin sister’s ongoing obsession with adulthood. Why Dana wished so desperately to join the ranks of the fully grown, Sarat could not understand.
Dana emerged from the house, still draped in her mother’s clothes.
“Didn’t I tell you not to go opening my dresser?” Martina said.
“Don’t sorry me—and pull it up, you’re dragging dirt everywhere.” Martina pulled the dress off her daughter. “I send your sister in to get you, and now you’re out here looking like a mess, and she’s inside probably doing the same.”
“She can’t put makeup on,” said Dana. “She’s ugly.”
Martina knelt down and grabbed her daughter by the shoulders. “Don’t ever say that, you hear me? Don’t ever call her ugly, don’t ever say a bad word about her. She’s your sister. She’s a beautiful girl.”
Dana lowered her head and pouted. Martina cupped her jaw and lifted her head back up.
“Listen to me,” she said. “You go back inside and you tell her. You tell her she’s a beautiful girl.”
Dana stomped back inside the house. She found her sister putting her mother’s lipstick back in the makeup box.
“You’re a beautiful girl,” Dana said, and stormed out the room.
For a moment, Sarat stood dumbstruck. She was a child still and the purpose of a lie eluded her. She couldn’t yet fathom that someone would say something if they didn’t believe it. She smiled.
Outside, Martina cooked breakfast on a heavy firewood stove. On the plates and in the bowls there were hard biscuits and sorghum cereal and fried eggs and pepper bacon cooked till crisp in its own fat.
In her slumping cheeks and dark-circled eyes, Martina’s thirty-nine years were plainly visible—more so than in the face of her husband, although he was five years her senior and the two of them had lived half their lives together. She was wide around her midsection but not obese, with an organic rural fitness that made her able, when it was necessary, to lift heavy loads and walk long distances. Unlike her husband, who had sneaked into the country from Mexico as a child, she was not an immigrant. She was born into the place she lived.
“Breakfast!” Martina shouted, wiping the sweat from her brow with a ragged dish towel. “Get over here now, all of you. I won’t say it again.”
Benjamin emerged from behind the house, freshly shaven and showered in the family’s outdoor stall.
“Hurry up and eat before he gets here,” Martina said.
“It’s all right, relax,” her husband replied. “When’s he ever been on time?”
“Where’s your good tie?”
“It’s not a job interview, just a work permit. I’m only going to a government office; no different than the post office.”
“When was the last time people killed one another to get something from a post office?”
Benjamin sat at the table in the yard. He was a lean man with a lean face, his near-touching brows anchoring a smooth, large forehead made larger by setting baldness at the temples. He was at all times clean-shaven, save for a thin black mustache his wife worried made him look unseemly.
He kissed Sarat on the forehead and, when he saw his other daughter, her face smeared with red, kissed her too.
“Your girls been at it again,” Martina said. “Won’t learn manners, won’t do what they’re told.”
Benjamin shook his head at Dana with mock disapproval, then he leaned close to her ear.
“I think it looks good on you,” he whispered.
“Thanks, Daddy,” Dana whispered back.
The family assembled around the table. Martina called out for Simon and soon he came around the front porch, carrying in his hands the recently sawed bottom half of the family’s ten-rung ladder.
Seeing the look on his mother’s face, the eight-year-old blurted, “Dad asked me to do it.”
Martina turned to her husband, who bit happily into the bacon and drank the sour, grainy coffee. It was rancid stuff from the ration packs, designed to keep soldiers awake.
“Don’t look at me like that, Smith needs a ladder,” Benjamin said. “Got new shingles to put up; old ones have all gone to mush.”
“So you’re going to give him half of ours?”
“It’s a fair enough deal, considering he’s the one who knows the man at the permit office. Without him, we may as well try to shoot our way across the border.”
“He’s got enough money to buy himself a million ladders,” said Martina. “I thought you said he was doing us a favor.”
Benjamin chuckled. “A Northern work permit for half a ladder is still a favor.”
Martina poured the last of her coffee in the dirt. “We need to get up and fix our roof just the same as the Smiths,” she said.
“We don’t need any more than a five-rung ladder to do it,” Benjamin replied, “especially now that our own boy’s grown tall and strong enough to get himself up there.”
It was a point with which Simon vehemently agreed, promising his mother he’d climb up regularly to add chlorine to the tank and clean the bird dung from the solar panels, just like his father did.
The family ate together. Benjamin, rail-thin his whole life, inhaled the bacon and eggs with shameless appetite. His son looked on, cataloging his father’s every minute ritual into an ironclad manual of what it means to be a man. Soon the boy too had wiped his plate clean.
The twins sipped orange juice from plastic cups and picked at their biscuits until their mother softened them with a smear of butter and apricot jam, and then they ate quietly, deep in guarded thought.
Martina watched her husband, her eyes still and silent, a look her children mistook for hardness but her husband knew to be just how she was.
Finally she said, “Don’t tell them nothing about doing any work for the Free Southerners.”
“It’s no secret,” Benjamin replied. “They know full well every man around these parts has done some work for the Free Southerners. Doesn’t mean I picked up a rifle for them.”
“But you don’t have to say it. If you say it then they have to check one of the boxes on the form and take you into another room and ask you all kinds of other questions. And then in the end they won’t give you a permit on account of security reasons or whatever they call it. Just say you work in the shirt factory, that’s not a lie.”
“Quit worrying so much,” Benjamin said, leaning back in his seat and picking the stray meat from between his teeth. “They’ll give us a permit. The North needs workers, we need work.”
Simon interjected, “Why do we need to go to the North? We don’t know anybody up there.”
“They got jobs there,” his mother replied. “They got schools there. You’re always complaining about not having enough toys, enough friends, enough everything. Well, up there they have plenty.”
“Tyler says going to the North is for traitors. Says they should hang.”
Sarat listened intently to the conversation, filing the strange new word in her mind. Traitors. It sounded exotic. A foreign tribe, perhaps.
“Don’t talk like that,” Martina said. “You going to listen to your mother or a ten-year old boy?”
Simon looked down at his plate and mumbled, “Tyler’s dad told him.”
They finished eating and retreated to the porch. Martina sat on the steps and cleaned the lipstick from her daughter’s face with a wet dishrag, the girl squirming and whining. Simon smoothed the ends of the half-ladder with a sandpaper block, putting his whole weight into the job, until his father told him he didn’t have to work it so hard.
Sarat returned to the scene of her morning experiment, poking at the congealed honey thick in the knots of the wood, enthralled by the amber liquid’s viscosity. It fascinated her, how the thing so readily took the shape of its vessel. With her pinky she cracked the crust and tasted a dollop. She expected the honey to taste like wood, but it still tasted like itself.
Benjamin sat on a hickory chair, the weaves of its backrest frayed and peeling. He looked out at the brown, barren river and waited on his patron to arrive.
“Do you know what you’re going to say to them, at the permit place?” Martina asked. “Have you thought it through?”
“I’ll answer what they ask.”
“You got your papers ready?”
“I got my papers ready.”
Martina shook her head and cast an eye out for signs of an incoming boat. “Probably there won’t even be any permits,” she said. “Probably they’ll do what they always do and turn us back. That’s their way, don’t give a damn about nobody south of the Mag line. It like we aren’t human, aren’t animal even, like we’re something else entirely. They’ll just turn you back, I know it.”
Benjamin shrugged. “Do you want me to go or not?”
“You know I do.”
When she was done wiping the lipstick, Martina set to braiding Dana’s hair. It came down in long smooth strands of the deepest black, unlike Sarat’s, which although the same color, was unruly and revolted to fuzz in the humidity.
“You girls know what the best thing about the North is?” she asked.
“What?” Sarat replied.
“Well, you know how at night here it gets so hot you just can’t take it, and you wake up with your sheets all damp with sweat?”
“I hate that,” Dana said.
“Well when you get far enough north, it never gets hot that way. And in the winter, if you go really far north, they don’t even have rain—they have little balls of ice that drop from the sky, and the ground gets all thick with it till you can’t see the roads any more, and the rivers get so cold they turn to solid rock you can walk on.”
“That’s silly,” Dana said. In her mind, these were more of her parents’ elaborate fairy tales, the hardening rivers and falling ice no different than the fish with whiskers that her father said once swam in great schools through the lifeless Mississippi back when it was just a river, or the ancient lizards buried in the deserts to the west, whose remains once powered the world. Dana didn’t believe any of it.
But Sarat did. Sarat believed every word.
“It’s true,” Martina said. “Cool in the summer, cool in the winter. Temperate, they call it. And safe, too. Kids out in the streets playing till late at night; you’ll make friends your first day there.”
Simon shook his head quietly. He knew that even as she talked to the twins, his mother was really addressing him. With everyone else she spoke directly, with no sentimentality or euphemism. But to her only son, whose inner mental workings she feared she would never learn to decipher, she passed messages through intermediaries in weak, obvious code. Simon hated it. Why couldn’t she be like his father, he wondered? Why couldn’t she simply say what she meant?
By mid-afternoon, Benjamin’s ride had yet to appear. Soon Martina began to believe her husband had been forgotten. Or perhaps Benjamin’s acquaintance had finally been caught in that old fossil-powered boat of his and had been arrested. It was true that the states surrounding the rebel Red—a cocoon formed by Louisiana, Arkansas, Tennessee and North Carolina—were deeply sympathetic to the cause of the Free Southern State. And even though residents of these states still required a permit to move north to the real heart of the Blue country, the states were officially members of the Union nonetheless, and a man caught using fossil fuel in these parts was still an outlaw.
She thought about how much easier it would be for everyone if all these would-be statelets were simply allowed to break free from the Union, to form their own miniature nations along the fault lines of region or creed or race or ideology. Everyone knew there had always been fissures: In the northwest they were constantly threatening to declare the independence of the proud, pacifist Cascadia; below them, so much of California, Nevada, Arizona and west Texas were already under the informal control of the Mexican forces, the map of that corner of the continent slowly reverting to what it was hundreds of years ago. In the Midwest the old-stock nativists harbored a barely restrained animosity toward the millions of coastal refugees who descended onto the middle of the country to escape rising seas and severe storms. And here, in the South, an entire region decided to wage war again, to sever itself from the Union, rather than stop using that illicit fuel responsible for so much of the country’s misfortune.
Sometimes it seemed to Martina that there had never been a Union at all, that long ago some disinterested or opportunistic party had drawn lines on a map where previously there were none, and in the process created a single country fashioned from many different countries. How bad would it really be, she wondered, if the federal government in Columbus simply stopped wasting so much money and blood trying to hold the fractured continent together. Let the Southerners keep their outdated fuel, she thought, until they’ve pulled every last drop of it from the beaten ground.
Martina watched the river and waited for the boat to come. She saw Sarat near the water, inspecting a discarded shrimp net that had washed up on shore a few months earlier; the children had made from it a makeshift trap for river debris. The net collected all manner of strange treasure: an iron cross, a neck-rest from a barber’s chair, a laminated picture of a long-shuttered leper colony, a small sign that read, “Please no profanity in the canteen.”
Sarat inspected the soggy pages of a waterlogged book caught in the net. The book’s title was The Changing Earth. Its cover featured a picture of a huge blue mountain of floating ice. She leafed gingerly through the pages, peeling them from one another. The book was filled with maps of the world, old and new. The new maps looked like the old ones, but with the edges of the land shaved off—whole islands gone, coastlines retreating into their continents. In the old maps America looked bigger.
She saw the shadow of her brother Simon standing behind her. “What is it?” he said, snatching at the book.
“None of your business,” Sarat replied. “I found it first.” She pulled the book away and hopped to her feet, ready to fight him for it if she had to.
“Whatever,” Simon said. “I don’t even want it, it’s just a dumb book.” But she could see him inspecting the open page.
“Do you even know what that is?” he asked.
“It’s maps,” Sarat said. “I know what maps are.”
Simon pointed to a corner of the page where the blue of water seemed to overwhelm a few thin shreds of land on the southern edge of the continent.
“That’s us, stupid,” he said. “That’s where we live.”
Sarat looked at the place on the map where Simon pointed. It looked wholly abstract, in no way reminiscent of her home.
“You see all that water?” Simon said. “That all used to be land, and now it’s gone.” He pointed back in the direction of their house. “And one day this’ll all be water, too. We’ll have to get out of here or else we’ll drown.”
Sarat saw the faint smirk on her brother’s face and knew instantly he was trying to scare her. She wondered why he seemed so obsessed with such tricks, why he so often tried to say things in the hopes of making her react in some fearful or foolish way. He was almost three years older than her, and a boy—a different species altogether. But still she sensed in her brother a kind of insecurity, as though trying to scare her was not some cruel way to pass the time, but a vital means of proving something to himself. She wondered if all boys were like this, their meanness a self-defense.
And anyway, she knew he was a liar. The water would never eat their home. Maybe the rest of Louisiana, maybe the rest of the world, but never their home. Their home would remain on dry land, because that was the way it had always been.
Around dusk, Benjamin’s acquaintance, Alder Smith, arrived. He was five hours late. His plywood fishing skiff bobbed softly on the parting water, its outboard motor gurgling and coughing fumes. It was an archaic thing, but still faster and nimbler than the Sea-Toks, whose feeble, solar-fed motors barely beat the current.
It said something to own a vehicle that still ran on prohibition fuel; it spoke not only of accumulated wealth, but of connections, of status.
“Mornin’,” Smith said as he ushered the boat to the foot of the Chestnuts’ land, throwing a loop of nylon around the docking pole. Like Benjamin, he was tall, but boasted broader shoulders and a full head of brown hair made copper by too much time in the sun. Before the war his father owned a dozen fossil-car dealerships between New Orleans and Baton Rouge. Those businesses were now long gone but the wealth they bore still lingered, and Smith lived a comfortable life on the other side of the river. Among the families that still dotted the flooded south of Louisiana and Mississippi, he was known as a facilitator, a man who had plenty of friends. He knew Free Southern State government men in Atlanta and the smugglers who ran the tunnels across the Mississippi-Arkansas line; he knew consuls in the federal offices that dotted the tamed and broken parts of the Union-aligned South. He even claimed to know the right-hand men of senators and congressmen in the federal capital in Columbus.
“Mornin’,” Martina replied. “Come on up, we got some sandwiches left, coffee too.”
“Thank you kindly, but we’re already late. Come on, Ben. Blues don’t like waiting.”
Benjamin kissed his wife and children goodbye and stepped inside to kiss the feet of the ceramic virgin. He descended to the river with great care so as to keep from slipping in the clay and dirtying his good pants. He carried with him his old leather briefcase and the half-ladder. His wife watched from the edge of the flat land.
“Dock south and walk into the city,” she told the men. “Don’t let any government people see that boat.”
Smith laughed and started the motor. “Don’t you worry,” he said. “This time next week you’ll be halfway to Chicago.”
“Just be good,” Martina said. “Be careful, I mean.”
The men pushed the skiff from the mud and pointed the hull north in the direction of Baton Rouge. The boat rumbled into the narrowing heart of the great brown river, twin spines of water rising and spreading in its wake.
Excerpted from American War by Omar El Akkad. Copyright © 2017 by Omar El Akkad. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
An Excerpt Of "The Water Knife" by Paolo Bacigalupi.
There were stories in sweat.
The sweat of a woman bent double in an onion field, working fourteen hours under the hot sun, was different from the sweat of a man as he approached a checkpoint in Mexico, praying to La Santa Muerte that the federales weren’t on the payroll of the enemies he was fleeing. The sweat of a ten-year-old boy staring into the barrel of a SIG Sauer was different from the sweat of a woman struggling across the desert and praying to the Virgin that a water cache was going to turn out to be exactly where her coyote’s map told her it would be.
Sweat was a body’s history, compressed into jewels, beaded on the brow, staining shirts with salt. It told you everything about how a person had ended up in the right place at the wrong time, and whether they would survive another day.
To Angel Velasquez, perched high above Cypress 1’s central bore and watching Charles Braxton as he lumbered up the Cascade Trail, the sweat on a lawyer’s brow said that some people weren’t near as important as they liked to think.
Braxton might strut in his offices and scream at his secretaries. He might stalk courtrooms like an ax murderer hunting new victims. But no matter how much swagger the lawyer carried, at the end of the day Catherine Case owned his ass—and when Catherine Case told you to get something done quick, you didn’t just run, pendejo, you ran until your heart gave out and there wasn’t no running left.
Braxton ducked under ferns and stumbled past banyan climbing vines, following the slow rise of the trail as it wound around the cooling bore. He shoved through groups of tourists posing for selfies before the braided waterfalls and hanging gardens that spilled down the arcology’s levels. He kept on, flushed and dogged. Joggers zipped past him in shorts and tank tops, their ears flooded with music and the thud of their healthy hearts.
You could learn a lot from a man’s sweat.
Braxton’s sweat meant he still had fear. And to Angel, that meant he was still reliable.
Braxton spied Angel perched on the bridge where it arced across the wide expanse of the central bore. He waved tiredly, motioning Angel to come down and join him. Angel waved back from above, smiling, pretending not to understand.
“Come down!” Braxton called up.
Angel smiled and waved again.
The lawyer slumped, defeated, and set himself to the final assault on Angel’s aerie.
Angel leaned against the rail, enjoying the view. Sunlight filtered down from above, dappling bamboo and rain trees, illuminating tropical birds and casting pocket-mirror flashes on mossy koi ponds.
Far below, people were smaller than ants. Not really people at all, more just the shapes of tourists and residents and casino workers, as in the biotects’ development models of Cypress 1: scale-model people sipping scale-model lattes on scale-model coffee shop terraces. Scale-model kids chasing butterflies on the nature trails, while scale-model gamblers split and doubled down at the scale-model blackjack tables in the deep grottoes of the casinos.
Braxton came lumbering onto the bridge. “Why didn’t you come down?” he gasped. “I told you to come down.” He dropped his briefcase on the boards and sagged against the rail.
“What you got for me?” Angel asked.
“Papers,” Braxton wheezed. “Carver City. We just got the judge’s decision.” He waved an exhausted hand at the briefcase. “We crushed them.”
Braxton tried to say more but couldn’t get the words out. His face was puffy and flushed. Angel wondered if he was about to have a heart attack, then tried to decide how much he would care if he did.
The first time Angel met Braxton had been in the lawyer’s offices in the headquarters of the Southern Nevada Water Authority. The man had a floor-to-ceiling view of Carson Creek, Cypress 1’s fly-fishing river, where it cascaded through various levels of the arcology before being pumped back to the top of the system to run though a new cleaning cycle. A big expensive overlook onto rainbow trout and water infrastructure, and a good reminder of why Braxton filed his lawsuits on SNWA’s behalf.
Braxton had been lording over his three assistants—all coincidentally svelte girls hooked straight from law school with promises of permanent residence permits in Cypress—and he’d talked to Angel like an afterthought. Just another one of Catherine Case’s pit bulls that he tolerated for as long as Angel kept leaving other, bigger dogs dead in his wake.
Angel, in turn, had spent the meeting trying to figure out how a man like Braxton had gotten so large. People outside Cypress didn’t fatten up like Braxton did. In all Angel’s early life, he’d never seen a creature quite like Braxton, and he found himself fascinated, admiring the fleshy raiment of a man who knew himself secure.
If the end of the world came like Catherine Case said it would, Angel thought Braxton would make good eating. And that in turn made it easier to let the Ivy League pendejo live when he wrinkled his nose at Angel’s gang tattoos and the knife scar that scored his face and throat.
Times they do change, Angel thought as he watched the sweat drip from Braxton’s nose.
“Carver City lost on appeal,” Braxton gasped finally. “Judges were going to rule this morning, but we got the courtrooms double-booked. Got the whole ruling delayed until end of business. Carver City will be running like crazy to file a new appeal.” He picked up his briefcase and popped it open. “They aren’t going to make it.”
He handed over a sheaf of laser-hologrammed documents. “These are your injunctions. You’ve got until the courts open tomorrow to enforce our legal rights. Once Carver City files an appeal, it’s a different story. Then you’re looking at civil liabilities, minimally. But until courts open tomorrow, you’re just defending the private property rights of the citizens of the great state of Nevada.”
Angel started going through the documents. “This all of it?”
“Everything you need, as long as you seal the deal tonight. Once business opens tomorrow, it’s back to courtroom delays and he-said, she-said.”
“And you’ll have done a lot of sweating for nothing.”
Braxton jabbed a thick finger at Angel. “That better not happen.”
Angel laughed at the implied threat. “I already got my housing permits, cabrón. Go frighten your secretaries.”
“Just because you’re Case’s pet doesn’t mean I can’t make your life miserable.”
Angel didn’t look up from the injunctions. “Just because you’re Case’s dog don’t mean I can’t toss you off this bridge.”
The seals and stamps on the injunctions all looked like they were in order.
“What have you got on Case that makes you so untouchable?” Braxton asked.
“She trusts me.”
Braxton laughed, disbelieving, as Angel put the injunctions back in order.
Angel said, “People like you write everything down because you know everyone is a liar. It’s how you lawyers do.” He slapped Braxton in the chest with the legal documents, grinning. “And that’s why Case trusts me and treats you like a dog—you’re the one who writes things down.”
He left Braxton glaring at him from the bridge.
As Angel made his way down the Cascade Trail, he pulled out his cell and dialed.
Catherine Case answered on the first ring, clipped and formal. “This is Case.”
Angel could imagine her, Queen of the Colorado, leaning over her desk, with maps of the state of Nevada and the Colorado River Basin floor to ceiling on the walls around her, her domain laid out in real-time data feeds—the veins of every tributary blinking red, amber, or green indicating stream flow in cubic feet per second. Numbers flickering over the various catchment basins of the Rocky Mountains—red, amber, green—monitoring how much snow cover remained and variation off the norm as it melted. Other numbers, displaying the depths of reservoirs and dams, from the Blue Mesa Dam on the Gunnison, to the Navajo Dam on the San Juan, to the Flaming Gorge Dam on the Green. Over it all, emergency purchase prices on streamflows and futures offers scrolled via NASDAQ, available open-market purchase options if she needed to recharge the depth in Lake Mead, the unforgiving numbers that ruled her world as relentlessly as she ruled Angel’s and Braxton’s.
“Just talked to your favorite lawyer,” Angel said.
“Please tell me you didn’t antagonize him again.”
“That pendejo is a piece of work.”
“You’re not so easy, either. You have everything you need?”
“Well, Braxton gave me a lot of dead trees, that’s for sure.” He hefted the sheaf of legal documents. “Didn’t know so much paper still existed.”
“We like to make sure we’re all on the same page,” Case said dryly.
“Same fifty or sixty pages, more like.”
Case laughed. “It’s the first rule of bureaucracy: any message worth sending is worth sending in triplicate.”
Angel exited the Cascade Trail, winding down toward where elevator banks would whisk him to central parking. “Figure we should be up in about an hour,” he said.
“I’ll be monitoring.”
“This is a milk run, boss. Braxton’s papers here got about a hundred different signatures say I can do anything I want. This is old-school cease and desist. Camel Corps could do this one on their own, I bet. Glorified FedEx is what this is.”
“No.” Case’s voice hardened. “Ten years of back-and-forth in the courts is what this is, and I want it finished. For good this time. I’m tired of giving away Cypress housing permits to some judge’s nephew just so we can keep appealing for something that’s ours by right.”
“No worries. When we’re done, Carver City won’t know what hit them.”
“Good. Let me know when it’s finished.”
She clicked off. Angel caught an express elevator as it was closing. He stepped to the glass as the elevator began its plunge. It accelerated, plummeting down through the levels of the arcology. People blurred past: mothers pushing double strollers; hourly girlfriends clinging to the arms of weekend boyfriends; tourists from all over the world, snapping pics and messaging home they had seen the Hanging Gardens of Las Vegas. Ferns and waterfalls and coffee shops.
Down on the entertainment floors, the dealers would be changing shifts. In the hotels the twenty-four-hour party people would be waking up and taking their first shots of vodka, spraying glitter on their skin. Maids and waiters and busboys and cooks and maintenance staff would all be hard at work, striving to keep their jobs, fighting to keep their Cypress housing permits.
You’re all here because of me, Angel thought. Without me, you’d all be little tumbleweeds. Little bone-and-paper-skin bodies. No dice to throw, no hookers to buy, no strollers to push, no drinks at your elbow, no work to do . . .
Without me, you’re nothing.
The elevator hit bottom with a soft chime. Its doors opened to Angel’s Tesla, waiting with the valet.
Half an hour later he was striding across the boiling tarmac of Mulroy Airbase, heat waves rippling off the tarmac, and the sun setting bloody over the Spring Mountains. One hundred twenty degrees, and the sun only finally finishing the job. The floodlights of the base were coming on, adding to the burn.
“You got our papers?” Reyes shouted over the whine of Apaches.
“Feds love our desert asses!” Angel held up the documents. “For the next fourteen hours, anyway!”
Reyes barely smiled in response, just turned and started initiating launch orders.
Colonel Reyes was a big black man who’d been a recon marine in Syria and Venezuela, before moving into hot work in the Sahel and then Chihuahua, before finally dropping into his current plush job with the Nevada guardies.
State of Nevada paid better, he said.
Reyes waved Angel aboard the command chopper. Around them attack helicopters were spinning up, burning synthetic fuel by the barrel—Nevada National Guard, aka Camel Corps, aka those fucking Vegas guardies, depending on who had just had a Hades missile sheaf fired up their asses—all of them gearing up to inflict the will of Catherine Case upon her enemies.
One of the guardies tossed Angel a flak jacket. Angel shrugged into Kevlar as Reyes settled into the command seat and started issuing orders. Angel plugged military glass and an earbug into the chopper’s comms so he could listen to the chatter.
Their gunship lurched skyward. A pilot’s-eye data feed spilled into Angel’s vision, the graffiti of war coloring Las Vegas with bright hungry tags: target calculations, relevant structures, friend/foe markings, Hades missile loads, and .50-cal belly-gun ammo info, fuel warnings, heat signals on the ground.
Excerpted from The Water Knife by Paolo Bacigalupi. Copyright © 2015 by Paolo Bacigalupi. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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